Tuesday, August 27, 2013

R.A.m. welcomes the GG Cut-n-Edge Cartoon Series to the Family


Responsible ARTistry Magazine is pleased to announce the on-going cartoon series of GG by Ron Bryant Creator of Cut-n-Edge Cartoons to our future issues. They are amazing Cartoons from a unique perspective. Check out the latest political & social cartoons @ www.littleo.biz #ResponsibleARTistry

Friday, July 19, 2013

Romany Malco Pens ‘Message to Trayvon Sympathizers’


*Romany Malco, who reprises his role as Zeke in the recently wrapped “Think Like a Man, Too,” weighed into the Trayvon Martin topic from a different angle.
In a blog on The Huffington Post, the actor pointed out the role of mainstream news, pop culture and economics in this story steamrolling over more prevalent black on black shooting crimes that are largely uncovered by the press.
He wrote:
I haven’t touched on the Trayvon Martin issue because race matters in this country are the paralysis of the American people. To constructively discuss Trayvon would require empathy, introspection and an understanding of America’s social and economic history. This is why the open forums we have seen thus far seem to fuel more ignorance and bias than reasonable debate.
To be brutally honest, the only reason people are even aware of Trayvon Martin is because it became a topic within mainstream news and pop culture. Meaning: News directors saw it as a profitable, sensational story. Hundreds of blacks die annually in South Side Chicago without even a blurb. Trayvon isn’t in the mainstream news for any reason other than ratings and profit. The news coverage on the Zimmerman case almost implies that the killing of this young black man is somehow an anomaly and I resent that.
In this country, if it isn’t streamlined through mainstream media and pop culture, it doesn’t seem to warrant national debate. Our “government” continues to wreak havoc on our civil liberties and there is little to no protest from the black community because of media diversion tactics that keep such pertinent issues out of mainstream media. But if Jay-Z or Rihanna were to make mention of it, we’d suddenly be jolted out of our sugar comas and protesting on freeways.
My point being, people are up in arms about Trayvon based on regurgitated pundits and manipulated facts aired to elicit emotion while fueling America’s anger and division. That’s how you boost ratings. No different from Piers Morgan’s desperate rant over gun control when he knew his ratings were in the dumps. And from where I stand, anyone who still relies on corporate-owned media pundits to support an argument isn’t equipped to offer worthwhile solutions.
People are using Trayvon Martin’s death as an excuse to project their own deep-seated issues with racism and will not be capable of intelligent, empathetic debate until they’ve cooled down and afforded themselves an education.
Addressing Trayvon without first addressing the absence of critical thinking in our schools, the lack of introspection, the reasons for our low tolerance and our country’s skewed value system does nothing more than create a sounding board for the ignorant. So rather than facilitate more racism outcry, I’d like to address young black people specifically.
I believe we lost that trial for Trayvon long before he was killed. Trayvon was doomed the moment ignorance became synonymous with young black America . We lost that case by using media outlets (music, movies, social media, etc.) as vehicles to perpetuate the same negative images and social issues that destroyed the black community in the first place. When we went on record glorifying violent crime and when we voted for a president we never thought to hold accountable. When we signed on to do reality shows that fed into the media’s stereotypes of black men, we ingrained an image of Trayvon Martin so overwhelming that who he actually may have been didn’t matter anymore.
Don’t you find it peculiar that the same media outlets who have worked so diligently to galvanize the negative stigmas of black men in America are now airing open debates on improving the image of black males in American media? Do you honestly think CNN is using their competitive time slots for philanthropy?
“You never want a serious crisis to go to waste.” – Rahm Emanuel
If we really wanted to ensure Trayvon Martin’s killing was not in vain, we’d stop perpetuating negative images that are now synonymous with black men in America. We’d stop rapping about selling drugs and killing niggas. The next time we saw a man beating a woman, we’d call for help or break it up, but one thing we would not do is stand by with our cellphones out — yelling WORLDSTAR! Instead of rewarding kids for memorization, we’d reward them for independent and critical thinking.
We’d spend less time subconsciously repeating lyrics about death and murder and more time understanding why we are so willing to twerk to songs that bemean women and boast of having things we cannot afford. We’d set examples of self-love for our youth by honoring our own hair, skin and eye color. We’d stop spending money on designer gear that we should be spending on our physical and psychological health. We’d seek information outside the corporate owned-media that manipulates us. We’d stop letting television babysit our kids and we’d quit regurgitating pundits we haven’t come up with on our own.
Education, introspection, self-love and excellence are the only ways to overcome the wrath of ignorance. So before going back to popping molly and getting Turnt Up, I urge you to consider the implications of your actions. Your child’s life may depend on it.

Thursday, July 18, 2013

Share Your Experience With Us......

Have you fallen in love with the power of possibility and changed something in your life by asking  ”What If”? We’d love for you to share your experience below.

Tuesday, July 2, 2013

Are you On Our R.A.dar

What is Responsible ARTistry?
It is Using Our INfluence as an ARTist to Enhance & Save Lives. 
If you or anyone you know should be featured on our R.A.dar 
please respond by sending all info to editor@responsibleartistry.com 
Visit 
to view our latest issue of Responsible ARTistry Magazine


Monday, July 1, 2013

Our 2nd Issue now LIVE f/ Grammy Nominated ARTist Carolyn Malachi

Please check out the 2nd Issue for Responsible ARTistry Magazine
Now LIVE at 
(http://responsibleartmag.wix.com/magazine#!issue2/c1fxm)
featuring Interview with our 
Cover ARTist 



Saturday, June 29, 2013

New Website for Responsible ARTistry Magazine

Exciting News:::::::::
We have Launched a Brand New Website
for (R.A.m.) Responsible ARTistry Magazine.

The Responsible ARTistry Magazine is a bi-monthly digital interactive magazine committed to inspire, uplift, encourage, entertain and empower internationally. Our mission is to spotlight artistic individuals and organizations that use their talents, crafts and influence to better our communities which in turn inspires our world. Every issue published will celebrate the art, acts, gestures and accomplishments of creative souls from around the globe, honoring old and new traditions and spotlighting ways to enhance the reader's everyday life organically and finding new ways to be more eco-friendly.

The information that we publish will help to enhance and empower our R.A.m. readers, therefore enriching their lives and benefiting the communities in which they live. We believe in Giving the Gift of ARTistic Knowledge! We are here to bring you those artistic jewels organically, that are sure to bring you and your family much joy and empowerment. Be Responsibly ARTistic and Share this publication with your network.

To Visit Responsible ARTistry Magazine Website 
please click on photo below. 


Saturday, June 8, 2013

In Remembrance Of A Musical Icon: Ben Tucker

Photo Credit SCAD/Courtesy of Savannah Music Festival 

We jazz fans tend to filter through a lot of names. For every Sonny Rollins or Wes Montgomery on the cover of an album, there might be two, three, four, five, eight, 14 more musicians backing him or her. Slowly, we begin to string together the works of these sidemen, too: what they're capable of, with whom they recorded, in what circles they appeared to run. Somewhere, we know this isn't the complete story, but sometimes, it's all we have to start thinking of one.
To evaluate the late bassist Ben Tucker on that criterion would reveal some impressive credits. He played bass in Billy Taylor's trio for years. He's on records by Art Pepper and Warne Marsh made in Southern California. He's on dates led by Gerry Mulligan, Grant Green and Quincy Jones made in New York City. The recording log alone reveals every indication of a first-rate player during a fertile period in music.
Look a little further on the credits and you'll see he was a composer, as well. His blues "Comin' Home Baby" was recorded by a jazz group led by drummer Dave Bailey in October 1961; the next month, Tucker was again present when flutist Herbie Mann recorded it live in concert. Mann's version became a hit, but not the Top 40 success that reluctant vocalist Mel TormĂ© enjoyed when Tucker worked with Bob Dorough to create a lyric for the tune. Among the hundreds of Tucker's songwriting credits, "Comin' Home Baby" remains his biggest commercial success — it was even recently recorded by Michael BublĂ©.
But Ben Tucker's legacy stretched far beyond annals and listings of personnel, or even jazz clubs. His impact could be felt deeply in fields like broadcasting, music publishing and Saturday-morning television, and in Savannah, Ga., where he lived for his final decades.
Ben Tucker was driving a golf cart when he was struck by an out-of-town driver on Tuesday. He was 82.
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Born in 1930, Tucker and his twin brother grew up in Nashville, Tenn., where he taught himself the upright bass and tuba. After attending college and serving four years in the Air Force, he took to the Los Angeles area, and then New York City, where he found his way into the jazz community.
But Tucker didn't just play bass. He and Bob Dorough formed a production company to make television commercials. In the early 1970s, an advertising executive whose son was having trouble learning arithmetic asked Tucker and Dorough to set multiplication tables to music. The result was the pilot episode of what would later become Schoolhouse Rock!, the three-minute animated interstitials between educational and kids programming.
Tucker also learned the publishing business. Not long after meeting the singer-songwriter Bobby Hebb, Tucker helped him record the song "Sunny," which became a hit. Royalties from "Sunny" allowed Tucker to pursue future business opportunities.
Like his colleague Billy Taylor, Tucker took an interest in broadcasting. In 1972, Tucker moved to Savannah, Ga. and bought the AM radio station WSOK. As one of a small handful of black radio-station owners in the country, he transformed the station into the top AM station in its market, and gave voice to the city's African-American population. The future mayor of Savannah, Otis Johnson, hosted a program. "I was the voice of the black community," Tucker told the Savannah Morning News in 2006. He later started the FM station WLVH.
But, also like Taylor, Tucker never stopped performing. Among other jazz societies and initiatives to which he contributed, in 1989 Tucker also opened a jazz club in Savannah called Hard-Hearted Hannah's, and played in the house band six nights a week. He was a regular at the Westin hotel in town, where he played the Sunday jazz brunch and played the golf course onsite frequently. He became an icon in the city's music community. 
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I actually met Ben Tucker a few times and even sang in his place Hard Hearted Hannah's so it is with deep sadness that I am even posting this ARTicle. We at Responsible ARTistry Magazine send our Love & Light to Ben Tucker and his family. -Mahoganee Editor-In-Chief of Responsible ARTistry Magazine